I had wanted to add another screenshot of a monolith to this post. However, In this case a manmade fountain carved from stone will serve as an introduction to this new label and series.
Screenshot from Conan the Barbarian/
This blog is mainly a place where I can record my current interests. It is also a place where I can showcase my current projects, obtain inspiration, keep track of suppliers, and the many other little things that make-up who I am and what I am presently about.
I had wanted to add another screenshot of a monolith to this post. However, In this case a manmade fountain carved from stone will serve as an introduction to this new label and series.
Screenshot from Conan the Barbarian/
Bits of parchment and map.
Map depicting ancient territories during the Hyborian Age.
Steal must be tempered with fire and ice.
Screenshots from Conan the Barbarian: Born on the Battlefield
Conans World
Conan traveled from one region to another looking for men who had murdered his father and clan.
Screenshots from Conan, The Barbarian, Lionsgate, 2011
Screenshot from Conan, a Lionsgate film, 2011.
It has been quite a while since I made a post for Conan or maps. I do have a few other screenshots and commentary that I intend to make for this film.
“'I'd like to see what you look like,' muttered Conan, working his ax free, 'you who leave a track like a bird, who burn like a flame and yet speak with a human voice.'
'You shall see,' answered the voice from the flame, 'see, and carry the knowledge with you into the Dark Land.'
The flames leaped and sank, dwindling and dimming. A face began to take shadowy form. At first Conan thought it was Zogar Sag 1 himself who stood wrapped in green fire. But the face was higher than his own and there was a demoniac aspect about it—Conan had noted various abnormalities about Zogar Sag's features—an obliqueness of the eyes, a sharpness of the ears, a wolfish thinness of the lips; these peculiarities were exaggerated in the apparition which swayed before him. The eyes were red as coals of living fire.
More details came into view: a slender torso, covered with snaky scales, which was yet man-like in shape, with man-like arms, from the waist upward; below, long crane-like legs ended in splay, three-toed feet like those of some huge bird. Along the monstrous limbs the blue fire fluttered and ran. He saw it as through a glistening mist.”
Chapter 7 The Devil in the Fire, Beyond the Black River, Robert E. Howard
1 "'Did you ever hear of a Pictish wizard called Zogar Sag?'
Balthus shook his head uneasily.
'He dwells in Gwawela, the nearest village across the river. Three months ago he hid beside this road and stole a string of pack-mules from a pack-train bound for the fort—drugged their drivers, somehow. The mules belonged to this man'—Conan casually indicated the corpse with his foot—'Tiberias, a merchant of Velitrium. They were loaded with ale-kegs, and old Zogar stopped to guzzle before he got across the river. A woodsman named Soractus trailed him, and led Valannus and three soldiers to where he lay dead drunk in a thicket. At the importunities of Tiberias, Valannus threw Zogar Sag into a cell, which is the worst insult you can give a Pict. "
Chapter 1 Conan Loses His Ax, Beyond the Black River, Robert E. Howard
"'But what was that—that thing you killed in the altar-hut?' asked Balthus, with a shiver at the memory of the dim-seen horror.
'One of Zogar's gods. One of Jhebbal's children that didn't remember and had to be kept chained to the altar. A bull ape. The Picts think they're sacred to the Hairy One who lives on the moon—the gorilla-god of Gullah."
Chapter 5 The Children of Jhebbal Sag, Beyond the Black River, Robert E. Howard
Conan did not reply for a space, and when he did it was with a curious reticence.
'He can't command all the animals. Only such as remember Jhebbal Sag.'
'Jhebbal Sag?' Balthus repeated the ancient name hesitantly. He had never heard it spoken more than three or four times in his whole life.
'Once all living things worshipped him. That was long ago, when beasts and men spoke one language. Men have forgotten him; even the beasts forget. Only a few remember. The men who remember Jhebbal Sag and the beasts who remember are brothers and speak the same tongue.
Chapter 4: The Beasts of Zogar Sag, Beyond the Black River, Robert E. Howard
Another horrid creature called out of the forest by Zogar Sag to do his bidding. Like the saber-tooth tiger, the ghost snake new Jhebbal Sag and the the ancient language, the language that all creatures spoke in ancient times.
“Again Balthus recognized the monster from ancient legends. He saw and knew the ancient and evil serpent which swayed there, its wedge-shaped head, huge as that of a horse, as high as a tall man's head, and its palely gleaming barrel rippling out behind it. A forked tongue darted in and out, and the firelight glittered on bared fangs.
Balthus became incapable of emotion. The horror of his fate paralyzed him. That was the reptile that the ancients called Ghost Snake, the pale, abominable terror that of old glided into huts by night to devour whole families. Like the python it crushed its victim, but unlike other constrictors its fangs bore venom that carried madness and death. It too had long been considered extinct. But Valannus had spoken truly. No white man knew what shapes haunted the great forests beyond Black River.
It came on silently rippling over the ground, its hideous head on the same level, its neck curving back slightly for the stroke. Balthus gazed with glazed, hypnotized stare into that loathsome gullet down which he would soon be engulfed, and he was aware of no sensation except a vague nausea."
Chapter 4: The Beasts of Zogar Sag, Beyond the Black River, Robert E. Howard.
I found a list of the "Deities and Demi-gods of the Hyborian Age" in the tales Robert E. Howard. Robert E. Howard is the creator of the character Conan, which I have featured in my a few of my posts. Conan is a worth-while character and shouldn't be over-looked when picking characters for your pule era games.
Although this list is not as extensiveness as one you might find for H. P. Lovecraft, but the list still impressive, like someone would actually take the time and effort to compile one in the first place.
"The village held its breath. Zogar Sag stood still as a statue, his plumes trembling faintly about him. But suddenly the gate was no longer empty.
A shuddering gasp swept over the village and men crowded hastily back, jamming one another between the huts. Balthus felt the short hair stir on his scalp. The creature that stood in the gate was like the embodiment of nightmare legend. Its color was of a curious pale quality which made it seem ghostly and unreal in the dim light. But there was nothing unreal about the low-hung savage head, and the great curved fangs that glistened in the firelight. On noiseless padded feet it approached like a phantom out of the past. It was a survival of an older, grimmer age, the ogre of many an ancient legend—a saber-tooth tiger. No Hyborian hunter had looked upon one of those primordial brutes for centuries. Immemorial myths lent the creatures a supernatural quality, induced by their ghostly color and their fiendish ferocity."
Chapter 4 The Beasts of Zogar Sag, Beyond the Black River, Robert E. Howard.
"Balthus felt his scalp prickle. Neither man nor any beast that he had ever seen could have left that strange, monstrous three-toed print, that was curiously combined of the bird and the reptile, yet a true type of neither. He spread his fingers above the print, careful not to touch it, and grunted explosively. He could not span the mark.
'What is it?' he whispered. 'I never saw a beast that left a spoor like that.'
'Nor any other sane man,' answered Conan grimly. 'It's a swamp demon—they're thick as bats in the swamps beyond Black River. You can hear them howling like damned souls when the wind blows strong from the south on hot nights.'"
Chapter 1 Conan Loses His Ax, Beyond the Black River, Robert E. Howard
"'Did you ever hear of a Pictish wizard called Zogar Sag?'
Balthus shook his head uneasily.
'He dwells in Gwawela, the nearest village across the river. Three months ago he hid beside this road and stole a string of pack-mules from a pack-train bound for the fort—drugged their drivers, somehow. The mules belonged to this man'—Conan casually indicated the corpse with his foot—'Tiberias, a merchant of Velitrium. They were loaded with ale-kegs, and old Zogar stopped to guzzle before he got across the river. A woodsman named Soractus trailed him, and led Valannus and three soldiers to where he lay dead drunk in a thicket. At the importunities of Tiberias, Valannus threw Zogar Sag into a cell, which is the worst insult you can give a Pict. He managed to kill his guard and escape, and sent back word that he meant to kill Tiberias and the five men who captured him in a way that would make Aquilonians shudder for centuries to come.
'Well, Soractus and the soldiers are dead. Soractus was killed on the river, the soldiers in the very shadow of the fort. And now Tiberias is dead. No Pict killed any of them. Each victim—except Tiberias, as you see—lacked his head—which no doubt is now ornamenting the altar of Zogar Sag's particular god.'
Conan pointed to the corpse of the merchant.
'You think that was done with a knife or a sword? Look closer and you'll see that only a talon could have made a gash like that. The flesh is ripped, not cut.'
'A man from the Tauran couldn't mistake the mark of a panther's claws. No. It's a forest devil summoned by Zogar Sag to carry out his revenge. Tiberias was a fool to start for Velitrium alone, and so close to dusk. But each one of the victims seemed to be smitten with madness just before doom overtook him.'"
BEYOND THE BLACK RIVER, Robert E. Howard
Beyond The Black River is another text in Robert E. Howard’s Conan series. In this text Conan is fighting the Pict’s and the forces of hell recently released by the Pictish wizard, Zogar Sag.
“Then Balthus forgot his exasperation as his ears were outraged by the most frightful cry he had ever heard. It was not human, this one; it was a demoniacal caterwauling of hideous triumph that seemed to exult over fallen humanity and find echo in black gulfs beyond human ken.”
Chapter 1: Conan Loses His Ax, Beyond the Black River, Robert E. Howard
In that great emptiness the voice of the man beside the altar sounded hollow and ghostly:
'... And so the word came southward. The night wind whispered it, the ravens croaked of it as they flew, and the grim bats told it to the owls and the serpents that lurk in hoary ruins. Werewolf and vampire knew, and the ebon-bodied demons that prowl by night. The sleeping Night of the World stirred and shook its heavy mane, and there began a throbbing of drums in deep darkness, and the echoes of far weird cries frightened men who walked by dusk. For the Heart of Ahriman had come again into the world to fulfill its cryptic destiny.’
'Ask me not how I, Thutothmes of Khemi and the Night, heard the word before Thoth-Amon who calls himself prince of all wizards. There are secrets not meet for such ears even as yours, and Thoth-Amon is not the only lord of the Black Ring.’
'I knew, and I went to meet the Heart which came southward. It was like a magnet which drew me, unerringly. From death to death it came, riding on a river of human blood. Blood feeds it, blood draws it. Its power is greatest when there is blood on the hands that grasp it, when it is wrested by slaughter from its holder. Wherever it gleams, blood is spilt and kingdoms totter, and the forces of nature are put in turmoil.’
'And here I stand, the master of the Heart, and have summoned you to come secretly, who are faithful to me, to share in the black kingdom that shall be. Tonight you shall witness the breaking of Thoth-Amon's chains which enslave us, and the birth of empire.’”
Chapter 19: In the Hall of the Dead, The Hour of the Dragon, Robert E. Howard.
"'You have heard of Princess Akivasha?' inquired the girl on the couch.
'Her only sin was that she loved life and all the meanings of life,' said the Stygian girl. 'To win life she courted death. She could not bear to think of growing old and shriveled and worn, and dying at last as hags die. She wooed Darkness like a lover and his gift was life—life that, not being life as mortals know it, can never grow old and fade. She went into the shadows to cheat age and death—'
Conan glared at her with eyes that were suddenly burning slits. And he wheeled and tore the lid from the sarcophagus. It was empty. Behind him the girl was laughing and the sound froze the blood in his veins. He whirled back to her, the short hairs on his neck bristling.
'You are Akivasha!' he grated.
She laughed and shook back her burnished locks, spread her arms sensuously.
'I am Akivasha! I am the woman who never died, who never grew old! Who fools say was lifted from the earth by the gods, in the full bloom of her youth and beauty, to queen it forever in some celestial clime! Nay, it is in the shadows that mortals find immortality! Ten thousand years ago, I died to live forever! Give me your lips, strong man!'
Rising lithely, she came to him, rose on tiptoe and flung her arms about his massive neck. Scowling down into her upturned, beautiful countenance he was aware of a fearful fascination and an icy fear.
'Love me!' she whispered, her head thrown back, eyes closed and lips parted. 'Give me of your blood to renew my youth and perpetuate my everlasting life! I will make you, too, immortal! I will teach you the wisdom of all the ages, all the secrets that have lasted out the eons in the blackness beneath these dark temples. I will make you king of that shadowy horde which revels among the tombs of the ancients when night veils the desert and bats flit across the moon. I am weary of priests and magicians, and captive girls dragged screaming through the portals of death. I desire a man. Love me, barbarian!'
She pressed her dark head down against his mighty breast, and he felt a sharp pang at the base of his throat. With a curse, he tore her away and flung her sprawling across the couch.
'Damned vampire!' Blood was trickling from a tiny wound in his throat.
She reared up on the couch like a serpent poised to strike, all the golden fires of hell blazing in her wide eyes. Her lips drew back, revealing white pointed teeth."
Chapter 18: 'I Am the Woman Who Never Died', The Hour of the Dragon, Robert E. Howard
"Conan lay and stared, half expecting it to vanish like a figure of a dream, and then a chill of recollection crept along his spine. Half-forgotten memories surged back, of grisly tales whispered of the shapes that haunted these uninhabited forests at the foot of the hills that mark the Zingaran-Argossean border. Ghouls, men called them, eaters of human flesh, spawn of darkness, children of unholy mating's of a lost and forgotten race with the demons of the underworld. Somewhere in these primitive forests were the ruins of an ancient, accursed city, men whispered, and among its tombs slunk gray, anthropomorphic shadows—Conan shuddered strongly.
He lay staring at the malformed head that rose dimly above him, and cautiously he extended a hand toward the sword at his hip. With a horrible cry that the man involuntarily echoed, the monster was at his throat.
Conan threw up his right arm, and the dog-like jaws closed on it, driving the mail links into the hard flesh. The misshapen yet man-like hands clutched for his throat, but he evaded them with a heave and roll of his whole body, at the same time drawing his dagger with his left hand.
They tumbled over and over on the grass, smiting and tearing. The muscles coiling under that gray corpse-like skin were stringy and hard as steel wires, exceeding the strength of a man. But Conan's thews were iron too, and his mail saved him from the gnashing fangs and ripping claws long enough for him to drive home his dagger, again and again and again. The horrible vitality of the semi-human monstrosity seemed inexhaustible, and the king's skin crawled at the feel of that slick, clammy flesh. He put all his loathing and savage revulsion behind the plunging blade, and suddenly the monster heaved up convulsively beneath him as the point found its grisly heart, and then lay still.
Conan rose, shaken with nausea. He stood in the center of the glade uncertainly, sword in one hand and dagger in the other. He had not lost his instinctive sense of direction, as far as the points of the compass were concerned, but he did not know in which direction the road lay. He had no way of knowing in which direction the ghoul had dragged him. Conan glared at the silent, black, moon-dappled woods which ringed him, and felt cold moisture bead his flesh. He was without a horse and lost in these haunted woods, and that staring deformed thing at his feet was a mute evidence of the horrors that lurked in the forest. He stood almost holding his breath in his painful intensity, straining his ears for some crack of twig or rustle of grass.
When a sound did come he started violently. Suddenly out on the night air broke the scream of a terrified horse. His stallion! There were panthers in the wood—or—ghouls ate beasts as well as men."
Chapter 12: The Fang of the Dragon, The Hour of the Dragon, Robert E. Howard
"Again the green smoke rose and billowed. Again images unfolded before him (Conan), this time alien and seemingly irrelevant. He saw great towering black walls, pedestals half hidden in the shadows upholding images of hideous, half-bestial gods. Men moved in the shadows, dark, wiry men, clad in red, silken loincloths. They were bearing a green jade sarcophagus along a gigantic black corridor. But before he could tell much about what he saw, the scene shifted. He saw a cavern, dim, shadowy and haunted with a strange intangible horror. On an altar of black stone stood a curious golden vessel, shaped like the shell of a scallop. Into this cavern came some of the same dark, wiry men who had borne the mummy-case. They seized the golden vessel, and then the shadows swirled around them and what happened he could not say. But he saw a glimmer in a whorl of darkness, like a ball of living fire. Then the smoke was only smoke, drifting up from the fire of tamarisk chunks, thinning and fading."
Chapter 7: The Rending of the Veil, The Hour Of The Dragon, Robert E. Howard
"Now the thing was emerging from the cell and was again advancing up the corridor, its misshapen head close to the ground. It paid no more heed to the locked doors. It was smelling out his trail. He saw it more plainly now; the gray light limned a giant anthropomorphic body, but vaster of bulk and girth than any man. It went on two legs, though it stooped forward, and it was grayish and shaggy, its thick coat shot with silver. Its head was a grisly travesty of the human, its long arms hung nearly to the ground.
Conan knew it at last—understood the meaning of those crushed and broken bones in the dungeon, and recognized the haunter of the pits. It was a gray ape, one of the grisly man-eaters from the forests that wave on the mountainous eastern shores of the Sea of Vilayet. Half mythical and altogether horrible, these apes were the goblins of Hyborian legendary, and were in reality ogres of the natural world, cannibals and murderers of the nighted forests."
Chapter 5: The Haunter of the Pits, The Hour of The Dragon, Robert E. Howard
"Conan's scalp prickled. In Stygia, that ancient and evil kingdom that lay far to the south, he had seen such black dust before. It was the pollen of the black lotus, which creates death-like sleep and monstrous dreams; and he knew that only the grisly wizards of the Black Ring, which is the nadir of evil, voluntarily seek the scarlet nightmares of the black lotus, to revive their necromantic powers.
The Black Ring was a fable and a lie to most folk of the western world, but Conan knew of its ghastly reality, and its grim votaries who practice their abominable sorceries amid the black vaults of Stygia and the nighted domes of accursed Sabatea."
Chapter 4: 'From What Hell Have You Crawled?', The Hour of the Dragon, Robert E. Howard
'Better if steel and bowstring prevail without further aid from the arts, for the constant use of mighty spells sometimes sets forces in motion that might rock the universe.'
Chapter 4: 'From What Hell Have You Crawled?’, The Hour of the Dragon, Robert E. Howard